St. Laurent re -made the ’60s jacket’ for ‘Parthenop’ of Paolo Sorantino.

Yaves Saint laurent1966 Le Smoking Tuxido jacket is one of the most prestigious fashion pieces ever. The Tuxido jacket for women, with its satin lapels and sharp shoulders, was adopted as a symbol of liberation and revolution.

Paolo sorntinoLatest facility, “Parthenope“There is a love letter for the director’s original Naples. Focused on the subject of” Missed Youth “, the film’s Titular character is a young woman born in Naples – Napolitans in Italy are also known as” Parthanians “in Italy Hai – The newcomer was played by Celeste Dalla Port. Follows, starts with young oranges and bright colors, for dark colors in his old age.

After his visit, Carlo Pogioli, the film’s costume designer says that Sorantino “a very clear consideration of what he would like to see in front of the camera”. While Pogioli made several looks of Parthenop, Sorantino called St. Laurent to provide a view to the character’s mind. The company’s creative director Anthony Vaikarelo stepped into to help define his wardrobe and provided the pieces that helped feel the compositions of Pogioli.

In his conversation, Sorantino knew that waxarello would be perfect due to the list of vintage performances of the fashion house. He says that he wanted the fashion of the film to “have a timeless quality for it, but be admirable for the period and story we are telling.”

Pogioli agrees. St. Laurent was perfect. He says, “Cooperation was amazing. We talked about colors and shapes. ,

In one scene, Parthenop, now dont a young woman, iconic Tuxedo jacket in her thirtyths. It acts as a visual metaphor where the character in his life is at this point. It highlights his will for freedom and freedom.

According to poggioli, all fashion pieces wear character, which were rebuilt by Verkerelo. He says, “We did not use pieces of any collection. … everything was made. “Which includes the iconic dinner jacket. Pogioli says,” Anthony had a dedicated cutter and tailor to our production. “He said that St. Laurent also had period-colored fabrics to recreate the piece, including a tuxido jacket.

All fittings were done in Paris and flew into Naples for shooting.

Waxrello also rebuilt a gold lame cape with a jewelery-desired ivory piece, a black satin evening gown and a matching gown.

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