Malaga Film Festival Dish Out Industry Awards

Malaga Film Festival held closing ceremony for this Forgiveness Industry Section on Friday evening. Industry-recognized representatives participated, celebrating the culmination of intensive networking and pitching of five days.

This year’s mafiz work in progress section was the “Lionel” of Carlos Saiz, the big winner of Bluconic Films, Blur and Econica in Spain and Prize Films in Econica and France. The film won the Cine Y Tele, Cider, Yagan and REC Festival Awards.

“Lionel” is a story of cohesion between a father and son after two decades. Through an intimate road trip, the film explains the complexity of the bondage of the family and the permanent mark of the ancestral absence of Lionel, “the size explained. Diversity Ahead of this year’s mafiz. “My friend Lionel and his family, inspired by the real-life story of my family-who portrayed themselves in the film-this project originated from a trip that he once remembered for me. Now, we have turned it into a street film between Spain and France, which means to be a family that means it is very essence.”

Álvaro Samper, International Sales at Sideral, which honored “Lionel” with € 10,000 distribution award, said about the film: “‘Lionel’ is one of the rare stories that touch the heart. A beautiful and moving journey between a father and son that looks like a way that we see in a way in a way. Are. ”

Carlos Sanchej Girldo’s “No Journey Widout Return”, produced by Peru’s Reema Reema Cine, won the Malaga Festival Award for Ebero-American WIP, Chemistry Award and Yagan Award. This feature follows Amito, who is a person drawn by the call of his dreams, convinced that he will have to go back to his origin. A young cameraman Lizandro, behind them, is keen to learn. But as his journey comes out, Amito finds out that he was not what he thought he was, while Lizandro was forced to face himself for the first time.

The Malaga Festival Award for a Spanish WIP went about two astraged brothers and a dark business about the “The Riborn” of Santiago Estabs: fake people who helped people. “A complex operation stakes his life and forces him to define the destiny of his family’s legacy,” reads the summary of the film. Argentina’s Le Tiro, Spain’s Zabriski Films and Chili’s L Otro film Produce The Film, which also made Rio Bravo Awards of Mafiz.

The honor was widely divided this year Mafar Khand scores each two prizes with “The Quair Riot,” “Tenants” and “Goodbye Barta”.

Directed by Wincy Oyarce, a Chile LGBT Pioneer celebrated for the 2008 “Empaná de Pino” and 2022 breakout dock-female for “Tan Inmonda Y Tan Felise”, in this story story, the story story has a convenience of documentary elements to chart the first santiago, Chile, which has been organized by a group. Crees is producing films.

One of the two MAFF titles from Maria Paz Bargan, this time as co-author, director and manufacturer, “tenant” is an immigration horror feature that discovers class, racism and zenophobia, but through style, looks like a chilling finale. Iberseries Platino was preferred in Industria and Proyecta of Ventana Sur, it is produced by Batik films, Berlinaale Fipresci winner “The Human Highernation,” Final Abierto and Elora Post House Co-Produce.

Galicia’s Crackon Media, Tornasol Media and Abano Produce’s “Goodbye, Barta”, by Fernando Tato, is a 17 -minute expansion of Tato with the same name. In this feature, when Sister Barta is excluded from her rehabilitation center, Sister Alysis, who is a comfortable life forged in the Galician capital of Santiago de Compostala, feels obliged to return to the Pobra Do Carminal, where she was born. “This reunion marks the beginning of an emotional journey for two sisters, where love and resentment are connected, and becomes very heavy burden to forget the past,” the logline ends.

The ceremony announced with Imse Annabelle Aramburu that Panama’s guest in the 29th edition of the Panama festival would be a guest of honor in the presence of Panama’s Deputy Minister, Erien Benedatty and Spain ambassador, Hector Hector Hector Hector Infant de Seda.

Mafiz awards

Malaga works in progress

Malaga Festival Prize (Spain)

“The Riborn,” (“Los Rencidos,” Santiago Estabes, Spain, Argentina, Chile)

Malaga Festival Prize (Ibero-America)

“No Journey Without Return,” (“No he Ida Sin Returno,” Carlos Schez Girldo, Peru)

Arcon Digital Cinema Award

“Car Nanny,” (Pablo Macveda, Spain)

Chemistry prize

“No journey without return,” (“No he Ida Sin Retornom,” Carlos Schez Girldo, Peru)

Cine Y Tele Prize

“Lionel,” (Carlos Saiz, Spain, France)

E-28 prize

“Water never hurts,” (“el leader Nunka Dolio,” Ana Clara Bustello, Uruguay, Argentina)

Latamcinema.com award

“Death and Life Madlena,” (“Morte e -Vida Madlena,” Gulo Parent, Brazil, Portugal)

Music Library Award (Spain)

“Future Fog,” (“Futchura, La Nebla,” Maria Abania, Spain)

Music Library Award (Ibero-America)

“Tropical Fragans,” (“” Fragensia tropical, “Alexander Viola, Dominican Republic)

Rio Bravo Award

“The Riborn,” (“Los Rencidos,” Santiago Estabes, Spain, Argentina, Chile)

Cidelle

“Lionel,” (Carlos Saiz, Spain, France)

Yagan Prize (Spain)

“Lionel,” (Carlos Saiz, Spain, France)

Yagan Prize (Ibero-America)

“No Journey Without Return,” (“No he Ida Sin Returno,” Carlos Schez Girldo, Peru)

Abycin lanza participation

“Future Fog,” (“Futchura, La Nebla,” Maria Abania, Spain)

Fidba Doctor Participation

“The Voice of God,” (“A Woose Day Duce,” Miguel Antunes Ramos, Brazil)

Festive participation

“Lionel,” (Carlos Saiz, Spain, France)

Sanifice participation

“The Night is a Persia,” (“A Nite é Uma Pharsa,” Lucas Veginski, Brazil)

Malaga Festival Fund Cum Production Program (MAFF)

Music library (ibro-American)

“Goodbye Barta,” (“Eduus, Barta,” Fernando Tato, Spain)

Music Library (Latin America)

“The Quiers Riot,” (“La Rebeline de Las Rars,” Vince Oirece, Cress Films, Chile)

Music Library Women Screen Industry

“I’m not universal,” (“No soya universal,” Sailia de Molina, Spain)

Bolivia Lab. Participate

“Three Summer Days,” (“Tres deaas de Vrano,” álvaro Lopez Alba, Spain)

Cántico Produciones First Prize

“A Dehorus Woman,” (“Una Senorita de Buena Prestenia,” Natalia Luke, Chile, France)

Cántico Produciones Second Prize

“Forest Walk,” (“A Estersa,” Sergio de Karwalho, Pedro Von Krugar, Brazil)

Ecam forum prize

“A Dehorus Woman,” (“Una Senorita de Buena Prestenia,” Natalia Luke, Chile, France)

Fidba participation

“The Quiers Riot,” (“La Rebeline de Las Rars,” Vince Oirece, Cress Films, Chile)

Sanifice participation

“Anoche Cyy Q Nadaba,” (Catalina Torres, Eugenia Olaskuga)

Cidelle prize

“Tenants,” (“SE Basacan inquiry,” Maria Paz Bargan, Peru, Spain)

Tereya Prize

“Claros de Bosk,” (Elelejandro Salgado E Ereen Hanes)

“Tenants,” (“SE Basacan inquiry,” Maria Paz Bargan, Peru, Spain)

Malaga shorts corner

Festhome best some

“La Songre,” (Joquin Leone)

Sarajevo short project prize

“Mi Casa En Una Maleta,” (Andrea Torres Sanches)

“A Noite,” (Pablo Garvi)

Festive prize

“De Madrid al -Cielo,” (Pablo Perze)

“Yes Eston Windendo,” (Miguel Guindos, Mario Alejandro Arius)

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