Even if she drops an album every four years, LordeK’s career has felt such a start-stop that it is surprising to realize that we have made a dozen trips around the sun because “Royals” took him to a case at just 16 years of age, Grammy-wise, global stardom in a case in months. She leaves an album, tourism, and then originally hides in a plain vision until she is ready to recreate it. This is not a criticism – supports him to tackle fame on its own terms, despite the concerns in her music cooperation/ medical session that she is spoken in her music cooperation/ medical session. Charlie Xcx “Girl, Sleeping,” And strong publicity and socio-media campaign is the latest, very loud chapter in its career.
While his voice and tunes are always infallible His, Each of those chapters is dramatically different, and this is no exception. His last album, Eather “Solar Power”, so much fate and quietly recorded that you had to stress it to hear a lot, even those songs that the heavenly-gentle trio which facilitates Lord Bridies and Clerao (a kind of alternative-church-chundabeevars Bagenius).
It is about being a large, boulder, nosier, and being very comfortable in your skin. Gon is the acoustic guitar and smallness of “solar energy”, written in the epidemic solitude in their original New Zealand rural areas. It is a New York and London albums: It’s loud, fast beats, strange noise, succulent keyboard texture and a busy-numb that had not long in its music.
And lyrically, it manifests on the cover of the album as an X-ray of its pelvis. Each song has heavy emotions, they are called a breakup, food disorder and common anxiety and part of self-sage; Panching mirrors, stage fear, death of ego, focus on body weight, even in the context of physical functions are references. The subjects may help over the overheoring for some, but it has always been a part of his personality, and the upset is about resolving, accepting and/or starting and starting someone’s own dirt (hence the title).
No mistake it begins with a song called “Hammer”: “There is a heat in the pavement, my mercury’s resin”/ Don’t know if it is love or if it is ovulation/ When you are holding a hammer, everything looks like a nail. ” The last line before the chorus “a few days I am a woman, a few days I am a man” – and all this is in the first minute of the album.
Bon Ever/ Casey Hill Gym Jim E. The previous two albums for the stack have a exchange of his primary ally Jack Antonoff, whose electronics-searched music here fully matches the songs, grows back to the impact, growing and recurring with emotions. On the “Shapeshifter”, possibly the most powerful song of the album, the song makes its speech – “I have been on a pedestal/ but tonight I just want to fall” – but for the last minute his overdated vocals repeat the words that manufacture in music speed and velocity, climbing with a brilliant wash, a string, climbing the climbing with a brilliant wash, a string.
Conversely, the brief “Clearblue” is just his tone, one of them has been autotune for automatten-nip; “Broken Glass” has a backing vocal that looks like a lot such as Robin we were pouring on credit for his name (Lord is the only credit singer). Bonn Ever’s latest, “Sable, Fable” have topical sound similarities – not surprising, because Stack worked on both albums in the same period – but they never sound Same.
Obviously, “Virgin” is very autobiographical and is a bit like a wide self-purpose, but it is also the voice of a person in the second part of his twenty-two conditions who are searching for knowledge and themselves. And given that in the last few years, it will be interesting to see how far this album reaches by young women artists.
