Min Q-DongSouth Korean Action-Drama “A woman with a knife“A novel of the same name with the same name with the same name is overstated at once. While it is a seductive basis, a 65 -year -old woman slots a underground killer style (a condition that Usually, it is reserved for griefed men and young Vicksains), its story lies in an unqualified amount of expansion, which exits the film.
Of course, with any film of this nature, it is worth asking first whether its fireworks are meaningful. Answer yes and no: Initial visual speed bumps are presented to the combat fanatic at the point of inconsistent. This deficiency of separate geography initially robs the film of harmony, and while it eventually its drain, its major confusion – finds the character of its elderly killer (codenamed nails, hornclav and godmader) – never confident ever Is.
Lee Hye-Young is brilliantly committed as Hornclav, a silent, lonely senior citizen is reluctant to retire from his hitman’s own organization. Moments where the camera captures her toned form and its sportal movement is exciting and impressive. Unfortunately, the film rarely hides its seam for physical work beyond its abilities. To accept stunt doubles, suspend one’s mistrust and other moves of business is part of the action style and parcels, but “The Old Woman with knife” spreads even once, with editing and framing. , Which often gives tip to the hand of the film. , This may not help, but may feel dirty, and the inherent feelings in action rarely override the part of a brain that notices such things.
Some of the scenes of the film can be forgiven as a story in its initial scene, such as a small, homeless Hornclav (Xin C-aH) is taken by the owner of a compassion The one who claims to work under insect control. The double meaning behind his job title comes when a local American GI tries to attack Hornclav and finds himself at the wrong end of a long scver, and the owner skills the corpse. The next five decades, during which hornclav trains and killer grow through ranks, are revealed as a initial credit montaz, which seems to be sufficiently like a sufficient scientime for this particular basis – that is, until the plot starts as long as the plot starts Does not, and the past becomes simply as important as the current, if not more.
Now in his sixties, Hornclav hides his health diagnosis from his superiors, as he gives details to his Manila folders on how and where to track Ner-Do-Well, from drug dealers to domestic abusers Till those who have developed the law. However, this story of aging and facing a vigilance justice has reduced very quickly and even a flashback, such as Min had first intended to see a complete prequel for us “old lady with knife”.
In return, the play is often leading to a hasty, chaotic story before or in several cases, or in several cases, or in many cases, or in many cases, which always seems that it seems that It is trying to catch itself. It points to emotional complexity, usually a new recruitment called Bulfite (Kim Sung-Chil), a new recruitment, whose dynamic would become the central driving force of the dynamic film with a dynamic hornclav. Is this question as well as the question whether Hornclav will allow some individual connections to override its professional code.
Beyond one point, the relationship between the past and the current characters seems to be clear, present the experience of watching the twist of the film and reduces one of the joy and surprise, and simply leaves another unavoidable shoes Waiting for This is a complete talk with very low intestinal or emotional effects, and although it creates a remarkable self-observation with a shootout and complex stunt work forms the prevalence of climax, it is difficult to call waiting to be meaningful.
