British star Josh O’Coner dont a cowboy hat and head in Colorado Max walker-silvermanTender drama “Reconstruction“with Meghan Fahi (“The White Lotus”), Black rees (“True Detective: Night Country”) and Lily Latre.
“I really love the man,” walker-silverman tells Diversity,
In “The Crown ‘or’ La Chimera ‘, he was struggling to get out of this very formal masculinity. Prince Charles’s manhood is different from the manhood of Colorado Rancher, but the challenge is really very similar.”
O’Coner plays dusty, whose farm is burnt in a forest fire. He does not know how to go or provide for his young daughter. But he is not alone in a small community who is still lifting the pieces.
“These small, ‘regional’ movies can be difficult. You need people who are kind and generous,” the director continued, praising Fhi – “she can be so strong and so delicate” – and rese.
“There was a bridge between the black professional and non-professional actors, as it comes from boxing. She knows how it is. We have a group of ranchers, hippies, farmers, mechanics and teachers of San Luis Valley in Colorado, Lily from Australia and then to the UK. It is a strange group, but they come together to make something.”
Walker-Silverman is also a Colorado native.
“It all begins with experiences in my own life. Fire and disaster are also related, and just disadvantages. But the disadvantage comes with great love. It brings a really nutritional side of humanity. It doesn’t remain until it should be, but it is there,” he emphasizes.
“People care about each other and they did not even know for neighbors that things went wrong. It’s just the most beautiful, mysterious and brave thing – to be soft.”
Sold by MK2 films, “reconstruction” was produced for the current company by Jessie Hope, Dan Genway and Paul Mege, and co-produced by cow hip films and dead and pictures.
Returning on Carlovi separate film festival After “A Love Song”, this time for the main competition, the Walker-Silverman knows that as soon as the fire continues to destroy their country, his short story suddenly grew completely.
He says, “Climate change was used that we all should stop at one point. As I was writing a film during the summer full of fire in Colorado, it became clear that we are now in it, and this is a part of our life,” they say.
But life is still “weird, and sometimes remains very beautifully.”
“When these things happened in my family, it was attractive to see that recovery was not only about reconstruction – it was also about reevaluation. I was not trying to make a film about disasters, but what happens about it. So often, we see that people rebuild at the same place where they have lost everything.
Her her own home “disappoints her and sometimes breaks her heart,” but he still loves it.
“My mother’s house is three blocks in the west and my father has three blocks to the east. I am very privileged to play with my friends in a big place with the world’s most expensive art form. Because of him.”
Regional cinema can be a “powerful thing”, they argue.
“If you try to tell a story about all, it turns. But if you try to be specific, somehow it takes meaning for people everywhere. We can feel close to them to be something true. I do not try to tell stories that are universal, but when specific stories are correct, when regular stories are taken care of and when they are taken care of, when they are taken care It is said that for a boy from Colorado, it is a long speech.
“I know with many people and have grown up, who choose their words very carefully or struggle to find them. The film presents a challenge in production-it is difficult to build a funny, entertaining banquet. But there is a payment for it, because when someone says what they are avoiding, it adds a lot of weight,” Walker-Silverman said.
“The irony is that even though it is a film where people do not say much, it is all about connection.”
“Reconstruction”
