Johnny Depp, Al Pachino Projects lead the world. We want studio slate

Entrepreneur and United Nations Global Goal Advocate Natasha Mudhar Creating a mark with World we want studioA production banner that quickly collects a slate of star-operated projects Johnny DeppDirectory efforts “Modi” and Al patchino-Jesica Chastain feature “Layer Rex.”

Mudhar’s visit to Mudhar in High-Profile Hollywood Productions started in 2013 through experienced producer Barry Navidi, Pachino’s long -term creative partner“My journey began with ‘Lear Rex’ and ‘Modi’ when I was introduced to Al Pincho through Barry Navi,” Mudhar tells me Diversity“At the time, I worked with Barry at ‘A Evening with Pachino,’ Mr. Pachino’s Sol-Out London Show. Leaded my participation as co-producer for Rex and ‘Modi’ for ‘Modi’. ”

Says Mudhar, “Our commissioning ethos lies in the belief that both objective story can be both attractive and commercially successful.” “We choose projects that prioritize breathtaking stories by integrating a social discretion. We are committed to advancing boundaries and leaving a permanent impression to stories, from styf-defined films to global issues suppressing global issues, with subtle social comments. ,

Depp-directed “Modi-three days on the wing of insanity,” as Italian artist Amaidio Modigliani starring Ricardo Scammer, premiered in San Sebastian last year. The film presents that Mudhar has “described as an intimate glimpse in three important days of Modigliani’s life, which is set against the backdrop of WWI Paris.” She emphasizes that it is “far from a biopic” and “instead” uses the lens of the dramadee to detect universal themes such as art, rejection and untrust discovery of recognition. “

“With any project, my decision of the board is not only from the story but also to pursue it with the team’s vision, instinct and passion,” says Mudhar. “Participation on a project means relying on major creators, and dedication to Barry’s leadership and meaningful, transformative story stood out as defying factors in my decision. They have a unique ability to champion stories that are culturally intensive and emotionally echoed that appeal to me. ,

Meanwhile, Pachino and Chastain “Lear Rex,” Innovative re -renovation of “King Lear” of Bernard Rose’s Shakespeare. “I attracted me to the ‘Lear Rex’, its unique ability to bridge the gap between classic literature and contemporary story telling,” Mudhar explains. “By combining Shakespeare’s permanent talent with a modern cinematic approach, the film appeals to both fans of experienced fans of its work and a new generation of spectators who discover their talent.”

Barry Navi, Jessica Chastain, Al Pachino, Natasha Mudhar
World we want studio

Studio is also supporting “In the shadow,” Jasmine Jobson starring (“Top Boy”) and Finn Cole (“Piki Blinders”), which describes the remarkable visit of British-Somali refugee Ramla Ali, who became the first professional female boxer to Britain. “When I was introduced to ‘in the shadow’, it felt like a serious opportunity to return a story with a deep social and cultural significance,” Mudha says. “As the second generation British Asian, I belong to the complications of harassing my own way and balanced heritage. The film crosses the label of a sports drama – it is actually a universal story of identity, love, faith and perseverance. ,

His visit to Hollywood began with Sterling Global, a leading communication firm established by his mother Teji Singh in the 1990s, helping Indian cinema familiar with global audiences. Construction on that heritage, Mudhar has increased the impact investment by more than $ 450 million and led over 90 projects in 130 countries, reaching more than 2.5 billion people.

The world we want should be operated at an important time for the studio industry. “Despite some progress, women and weak communities are still missing from major creative roles,” Mudhar notes. “Authenticity is not only about the characteristic of diverse characters, but to tell stories about giving freedom and resources to the creators which are true to their vision. Socially operated narratives are often dismissed as ‘very niche’ or commercially risky, but we challenge that perception. ,

Beyond traditional entertainment, the studio has led the impact campaigns for more than 250 films and television products. Notable projects include India’s largest ivory poaching cases and “Pacha” of Prime Video based on “Pad Man”, which affected policy improvement around menstrual hygiene products in India.

The upcoming slate of the studio reflects its ambitious vision. A series in development promises to mix the spectacle of “Avengers: Endege” with the heart of “Friends” set against the background of the United Nations’ sustainable development goals. Apart from this, there is a feature film about a transformative Indian social entrepreneur in works, as well as a scripted film and series -discovering the life of a former mafia member of New York, focusing on the topics of redemption and change. Did

“We demonstrate that social effects can match with commercial success,” says Mudhar. “Our content aims to run changes through various narratives, which have both established and emerging sounds from all over the world. We are committed to creating a more equitable and durable world from stories about planets who promote sympathy and inspire action. ,

With deep connections to Hollywood, Indian cinema, and emerging markets in Africa and the Middle East, the world we want is leading itself as a bridge between studio entertainment and influence. The company is also launching an entertainment investment platform to provide funds, resources and strategic partnerships to empower the creators in styles.

“The media is central to achieve our goals,” says Mudhar. “By addressing issues such as gender equity, climate change and public health, through hypnotic narratives, we aim to promote sympathy and motivate action. Every challenge is an opportunity to innovate. ,

As a vehicle for an entertainment enterprise and social change, the world we want the studio that represents a new model for the construction of the studio purpose-operated material. As Mudhar says, “Our bridge of storytelling is for sympathy – it allows us to live a thousand lives, understand various attitudes and make meaningful changes in our world. When made issues human through hypnotic narratives Going, they can gather resources, affect policies and motivate action.

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