Charlie XCX wins Big Brit Britt Awards; Host Danny Dyer Slams Chappell Roan

still Brit Awards As ‘Bawwa’ went Charlie Xcx As a singer-song-maker and his 2024-dominating albums, the Board was swept away with five gongs at the UK’s leading music award ceremony.

But despite countless (and predicted) success after countless memes and “Brat Summer”, Charlie’s decision did not perform at his Big Saturday night’s homecoming party in O2 Arena-Despite being in the state and despite performing in the previous month’s Grammes–despite performing in the last month’s gramies-one night was more than a bottle bamar for the show organizers who were highlighting the otherwise Bana-Fide British Vaishvic stars.

Returning hosts Jack Whitehall made the light of the singer’s absence from the performance line-up, asking that his decision not to play live for “being drunk” was the most now the British thing.

Still Charlie – Who was Name also Diversity2024 hitmaker of the year -This still dominates the proceedings, while making several trips on the podium for the winning artists, albums, songs and the Best Dance Act-the four won from their five nominations, as well as their earlier declared Lyricist of the Year Award, while his long associate AG Cook won the year’s producer.

His success definitely gave a focal point at night as he used his visits to shout his dance-music heroes and claimed that ITV had “complained about my nipples”.

She saved the best speech for the final, saying that she always felt like an outsider in the British industry and “tells her success as a living proof that you don’t need to compromise your point of view – if you do your own work and do it well, people will be there with you.

XCX’s partner Big Brit name, however, was not with him. The Beatles may have portrayed nomination (“Stick in It Lads,” Deadpand Whitehall) (unsuccessfully) (unsuccessful), but with no adel, no ad -sheeran, no coldplay and no do lipa – and no indication of oasis, despite the continuous tees of Whitehall – it was much higher for New British.

First of all, however, our friends in Atlantic got some help. Surprisingly, Sabrina Carpenter-the organizers who were so eager to perform that they gave him the “global success” award, a med-up gong that is usually given to woo with a British superstar, which was not revered in the ceremony otherwise was opened and a triple-classes with “Espresso”. The outfit that will definitely not pass a kit inspection.

He placed it for the next segment – Basbi Berkeley, namely – for the saucey performance of the “bed chem” before disappearing through a mesh door with one of the soldiers. He used his drool acceptance speech “Espresso” to “Espresso” for such a wild streaming “mainly for tea drinking countries”.

Subsequently, teddy floats – appears to be dressed as a darve, but with a smooth sound in the form of silk sheets – shines through a medley, ends with a rendering of “loose control”, with the industry tables also sing.

After all, American glamor, however, it was time for some true British grit. And after a large -scale barren 2024, at least some stars are threatened to break the international level in the UK, so it was no surprise that Brits had put both of them on the show, even though the success of their awards would be more likely to be at the peak next year.

Miles Smith honored the British Rising Star Award at the Run-up to the Ceremony, romanced happily through the pop-friendly pop of “You Mete to Me” and “Stargaging”, but at least stand with his speech. Last year’s winners submitted the award by the final dinner party, they targeted both the government (“If music is one of the most powerful exports with us, why have you considered it to be one later for so many years?”) And industry (“Are we manufacturing a career or just chasing moments?”).

Meanwhile, Lola Young-Jung-Grew “dirty” hit the global top 10 of the hit 10 and a number 1 single in their country-it took some time to reach here (she signed the island back in 2019, which proves the value of at least long-term artist development), but is definitely taking the maximum advantage of her arrival. Taking her hit, performed from a platform set like a messy bedit, complete with washing machine, the most compelling music moment of the night and confirming a bright new star in the Diming UK firm.

Some of the other artists may be less internationally familiar, although the optional/rock act winner Sam Fender was already confirmed as a true local hero before the awards, when his “Peepal Watching” album was crashed at number 1, which became the first UK Soolo artist album to pass 100,000 in a week after Harry Styles.

The fender is cut with a separate cloth; His unethical blue-collar worldview “watching people” with tireless indice-rock reflection. This may usually look slightly out between the glitz of the Britis, but he is striking such a cord in the UK Heartlands, with a sold-out stadium tour set for summer, felt like a warm-up to Charlie XCX next year. If he can break the US too, the future of the UK business will definitely look very bright.

And in fact, there was a touch of nervousness between all the hoarse ceremonies in the mood between the industry on the floor of the arena. Universal Music Group CEO Lucian Gring, Warner Records Chair Tom Coursion and YouTube Global Head of Music Lyor Cohen (who hosted a boat party on the way to O2) were all at home. But after one year of big shake-ups on the major label, as well as drought of success, the UK’s perennial fears are sometimes close to reality to just one and European outpost of the American industry.

The future depends on re -starting the stable flow of fresh Britain’s talent once and tonight can simply fold the fightback. Certainly there was no shortage of contenders on the stage, even though some other artists were less familiar with the mainstream ITV1 audiences.

True, he probably recognized Z Thirlwall – which is now professional only known only as Z – a winner and artist here with a little mixture in the past. The mixers are struggling to install a single career at the same level as their on-hatous group, Z can be the one that cracks it. She raised the Pop Act Award (defeating Charlie XCX), while her performance of the “Angel of My Dreams” was the night view standout, climbing into the sky with some huge wings, and usually proved to be joyful as that song, as she was singing.

The Last Dinner Party, or “The Tutler Girls Alaoud”, as Whitehall dubbed him-the winner of the Registration Star Awards last time and this time as the best new artist, when he urged the audience to support the ground level locations-the synthesis with a twinning with a twinning. All optional rock gold.

Such brand recognition for Ezra Collective must have been very low, the first Jazz Act to win the British Group and perform on the show, but till the very end, the industry table was emptied by taking a vibrations with Jorza Smith and people did not doubt for the remote at home.

Indeed, in this year of the Underdog, one of the largest British names on the performance was probably hosts. Jack Whitehall has done a lot of work in Hollywood as he last presented The Britis in 2021, but he has not lost any of his banks, happily the previous dinner party (“The Tutler Girls Alaoud”), Stormzi (“The Grime Scene’s Ronald McDonald”) and Coldplay (“The Pvt) (” The Private) (“The Private) (” The Private) McDond is getting out of jokes about the joke.

Although he could probably chew more than chewing while interviewing Cockney actor Danny Dyer, who did not take the Chapel Rowan to participate in his awards for international artist and left the international song (“he could not be here”, dropped C-Bum and called Prime Minister Kir Trishna. Ray (R&B Act) did not change either.

Dyer’s outbreak maintained some of the Britis Rock ‘Rol’s reputation (although the real musicians were far more humble, Stormzie quoted the Bible and said that the award should have gone to Central C as he had accepted the Hip-Hop/Grim/Rap Act Trophy), but the show also showed his sensitive parties with a classic tribute and video mantage.

Overall, the spirit of the Britis was-and the best construction of a wide UK industry-British music is to create a far-flung-up to a distant construction, a clever, fast-paced showcase with the Atlantic UK MD Demian Christian is to present as a shorner in his last tenure for everything. And, some of the talent began to break through green shoots, and some superstars of the country soon returned to the cycle, things may look very different in 12 months time.

And so, as the industry left for some traditionally gorgeous arrhyprato – Warner Sangeet is getting tough in Clade, Sony Music Nobo Hotel and 180 Studios are taking universal hosting at the Noba Hotel and 180 studios – there was a feeling of hope in the air, although there is still a lot for the ponder.

Mainly, how do you convert a brat summer throughout the four sessions of British success? We will see…

2025 winners in the whole

Global Success Award – Sabrina Carpenter

Year’s lyricist – Charlie Xcx

Creator of the year – AG Cook

Brites Rising Star – Miles Smith

R&B Act – Ray

Pop Act – Z

Hip-hop/grime/rap act-store

Dance Act – Charlie XCX

Alternative/Rock Act – Sam Fender

International song of the year – Chapel Roan, “Good Luck, Babe!”

International Group of the Year – Fontense DC

International Artist of the Year – Chapel Roan

Group of Year – Ezra Collective

Best New Artist – The Last Dinner Party

Year’s song with MasterCard – Charlie XCX, “Estimate”

Year artists – Charlie Xcx

Mastercard album of the year – Charlie XCX, “Brat”

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