‘Bad Sisters’ original manufacturer on Malin-Sarah Gozin ‘Dead End’

Looking for a basic crime chain? In “Dead &”, a possible standout this week SmellSleith Ed Bex is capable of licking the last moments of a dead person or even better than eating a small portion of his corpse. He spends a lot of EP. 2 Trying to steal a toe from a victim of murder, 2 from outside the fronts and store it for a moment at your family’s house when he can slightly crumble.

A director of a director of the champion by Walter Presentes has highly tasty for the crime drama connoisseur that bought her “Tabula Ras” for the UK, “Dead and” manufactured by Lampwis and Caviar, acquired by the Federation for International Distribution only.

It cannot be described as a comfortable offense. Playing in the main competition of maritime trip on 27 April, “Dead &” producer Malin-Sarah is likely to build the reputation, whose “clan” (2012) was adapted to the “Bad Sisters” of Apple TV, while a horrific thrim/suspense drama by the follow-up “Tabula Rasa” (2017), a hurry thriller/suspense drama.

Like the “clan”, a comedic murder thriller and family drama, “Dead and” weighs as a multi-style blender, with a mid-life crisis drama again braids the comedic crime mystery again as Ed has surprised 50 about his life’s purpose and he never said to be a macabree.

Manufactured by Caviyar and Lommis, Franders’ Free-to-Ay Service Play 4 and Streammer Streams, supported by “Dead and” Stars Peter Van Dan Begin (“1985”), re-involving Gojin after “Tabula Ras”, Hang-Dog Ed Bax and Ellis Skap (“Andrakavar”) As a sympathic. In February, bending on Play4 and streams, there have been rapid and sometimes euphorical reviews: “finger-cheating good”, declared noble focus.

Diversity On April 27, Brett Bayer and David Finkel, “Bad Sisters” co-producers and “3o rock” and “United States” and “Dead End” executive manufacturers with Burt Hamelinkle and Demitry Verbek, “Bad Sisters” will hold the gozin before a meeting with a meeting with a meeting with the co-producers of “Bad Sisters” and writer-producers. Gojin directed with a swan worker.

“Dead and” is a style blender-one-but also a social-standing show from your hallmark, which addresses the consumption of animal food. Do you think there is a through-line, however, with “clan” and “tabula juice”?

Malin-Sarah Gozin: When I was writing “Dead and”, I felt that I am visiting the “clan” again in terms of a specific style mixture. It contains a mystery, thriller combined with plays, psychological depth and character studies such as “Tabula Ras”, but really felt good to visit the dark comedy – which is a great tool to deal with social issues.

But is such a social issue in “clan”? “Dead and” early stretch suggests that this is a secret of a murder, but perhaps real killers, although they do not realize it, are people who eat animals meat or fish….

This is really the question I want to address: ‘What will happen if we are the serial killer of our planet?’ I don’t want to tell people: ‘Stop eating meat!’ I am not a vegetarian myself. But the gift of Ed is like a metaphor for what is happening in the world. Over the years, we have become more conscious, or should be more aware of our food and animal welfare and its effect on our climate.

Ed is a feeling of being torn himself….

If I wanted to find anything, it was a matter of expiration like the expiration date. As a grief counselor, Ed detects the last moments of the people, but the show asks whether our planet’s expiration date, or a termination date on relationships? A dead end at Ed’s wedding will have a serious impact on her marriage using her special gifts to help catch a killer.

You can call Ed as Odd and Belgium’s shows are actually ready for their asymmetry, but I wonder if this is because the bar is less in terms of expressing the bizarre inequality of most humans?

The bar is less in terms of culture. We only say what we think. Belgium, just in our genes, are very bizarre. We are the kind of people who came with “The Smords” (which started as a Belgian Comic Franchise). If you look at our culture, our art, magazine, it is a bit real. We are tampering with more like irrational things, trying to explain the irrational, getting a grip on reality, I think.

Do you have any explanation for Belgium, with five series in the official selection of life, which is higher than any other country in the world including the US and France? The clan was made available on demand from the British Broadcaster Channel 4 as part of its Walter Presents Service. Then there was a lot of talk of Belgium Noor in the 2016 series frenzy with “Hotel Bu Sejor” and “The Break”. But is there a new wave now?

Belgian’s Noor began, I think with “clan” and thanks to Walter Isuzolino, who also discovered our industry, bizarre but quality. We do not have a big budget, so we try to make most of it. The more you invest in story and characters and writing, better material. Most of the shows you are referring to show especially showing that in fact the story and character development took their time, and not only writing a version of the script, but also trying to improve it and say many interesting things in a very economical way.

In the context of the direction, it is like Pedro Almodover, which meets Aki Kauriski, a kind of muted pop out -established….

It is very deliberately. We wanted not only a cinematic quality but also in a certain type of beauty in “Dead &”. Theme and story are very dark, it is about death. But it is also very inspired by food. I love that beauty quality that is food, it is very colorful. There is a show with “Dead and” Hope, which has colored characters. They are all upset but a little strange and funny.

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