Annesey has six new projects at the Indian Animation Showcase

Disciplined The International Animation Film Market (MIFA) will host Namaste Mifa! IndiaOn June 11, the partner pitch event, six animation projects were characterized by eight Indian creators during the 40th anniversary ceremony of the festival.

Curated pitching session is organized by India Anilela Festival.

The showcase presents a diverse slate of contemporary Indian animation projects spread over several forms and styles. Featured tasks include “Work in Progress”, a 70-minute animated documentary directed by Sabarna Dash and Sneha Das, which follows young urban Indian women, who navigates femininity in the 20s in the 20s in the 20s, which is a “cheerful, trivial and sometimes strangely” through the sixth and sometimes the six-day-olds. Is.

Short films include “My First Kis”, a 15 -minute social and emotional drama by director Shomontika Dasgupta that addresses child sexual abuse through the story of Little Rani and her fictional friend Mr. Chicken. The film aims to “develop conversations around good touch and bad touch in every house through a personal story.”

Directed by Arya Pandey, “Patantengin,” Old presents a 15 -minute drama set in Lucknow, focusing on a young hairdresser, dealing with grief during kites, which reminds him of his dead brother. The story concludes in a symbolic moment, where the kite, “echo a travel house.”

The adventure short “Duck”, directed by Rahul Chakraborty, follows the 15 -year -old Duke in the Sundarbans, as he faces a size tiger deity, Dakshin Ray in about 20 -minute folklore about environmental protection and spiritual change.

The two chain projects scored the lineup: “Penumbra,” a psychological thriller by Tahar Kapadia, which features a 20 -minute episode, capturing supernatural institutions in a circle about the predators of the soul, where “superstitions are manifested as fiercely horrific,” son is disarray, “son is an alternative digital aspect.

The event is co-eminent by Institute Frances, Embesade de France N Es, Assembly Entertainment, and Zebu, which represents Anila’s ongoing initiative to demonstrate the Indian animation talent on the international stage.

Projects are in many languages ​​including English, Hindi, Bengali, Nepali, and Malayalam, which targets the audience from teenagers to families, performing the width of contemporary Indian animation story stories.

Annesey’s Work-in-Princtions feature is to be presented in the category category “Hirloom,” directed by Niyamu Bhattacharya. Established in the 1960s, India-Germany co-producing follows the young businessman Kirti, who crushed the handloom, and his wife Sonal, who is dying of a hereditary disease and argues that he should enter the powerloom industry to secure the future of his family. The story examines his choice “between moving forward or giving in nostalgia when he faces a tapestry that shows the history of his entire family.”

The “Hirloom” team includes Arya Menon from Odd and even Pictures, Fabian Dreast, co-producer from Pompom Animation, and Film CGI executive manufacturer Arpan Gaglani, producer Arya Menon representing Oter Studio.

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